“Next!” Nationally acclaimed practitioner of Charcuterie,
restaurant owner, author, and teacher, Brian Polcyn, stands at a table in the
front of his classroom at Schoolcraft College sampling and critiquing the work
of his students.
His gruff low voice booms from the gut of his meat
belly out over the classroom of culinary arts students in the unmistakable
accent of a Detroit native. Students come up periodically to present their
work. He cuts off a piece of sausage and hastily puts it in his mouth, tossing
the hot meat roughly with each chewing motion.
Meanwhile three of his students hold down the
sausage stuffing machine, between panic and triumph. Other students slide
around the kitchen, turning sideways to fit through small spaces, and lifting
raw meat concoctions overhead as they avoid colliding with one another. There
are 18 stainless steel prep areas in the middle of the room, surrounded by
stoves, ovens, large walk-in fridges and sinks. The classroom smells of salt
and cured meats, slabs of raw cuts laying all over the place, being dressed and
stuffed and flavored by the students: sausages of cow and pig, jerky, fish,
pork chops, and stuffed chicken breasts, but mostly sausages, piled in coils,
or in long strings draped over pieces of equipment. There was nowhere I could
stand and feel like I wasn’t in the way. In an environment where it was easy to
feel like a burden, Chef Polcyn really made me feel like a guest.
Student Brian lands a smoked trout on the altar of
critiquing.
“Smoked fish? Ok, watch this, she’s going to grade
you. Whatever she says goes, and do not be nice.”
“I want you to ask yourself, is it pleasant to
east, first and foremost?”
It was.
“Ok, is it too salty?”
No, it wasn’t.
“Is it moist?”
Ehhh it was a little dry.
“Ok, so here’s someone who doesn’t know a lot about
food, but this is our customer, right? So we have to listen to her. So for a
score of 1 out of 25 what would you give him?”
I gave him a 24, but Polcyn is cheeky.
“If I liked him I would do 24, but I don’t like
him, so I’m gonna go 23.9.”
When he’s not grading, Polcyn barks his way around
the kitchen, critiquing sanitation practices, fixing broken equipment, and
cutting cured meats for sampling from the transformation room, where salted
meats have been hanging, aging for years.
He was nice enough to take me in there, apparently
a huge honor, “I’m taking you in my transitional room where I take no one. Not
even my students. They’re all like ‘Who is this girl?’”
The transformation room was like a stainless steel
version of a smokehouse from Little House on the Prarie. To the average person,
it looks like a bunch of hanging, moldy ham. But this is Charcuterie. Charcuterie is the art of curing and preserving meat
without cooking it.
Polcyn speaks of Charcuterie as common sense. The
refrigerator has only been around for about 100 years, but people have been
eating meat forever. Polcyn doesn’t just worship meat, but the fat, Polcyn
learned in Italy, is where the flavor truly lies. He always has the
fat-a-phobics chant “Fat is flavor, Fat is our friend, We love fat!” or tells
them to “Praise the lard!”
But how does this carnivore reconcile the
vegetarianism of so many of his customers?
“I don’t have a problem with it… I don’t see the
importance of it, I mean you need a certain amount of fat in your diet, and I
think animal fat is the best”.
Ironically, he shares his office with a vegan, and
they seem to have agreed to disagree.
His space-mate made two good cases for veganism:
most illnesses stem from meat consumption, doctors advising their patients to
stop eating meat, so why wait until you get to that?
“He makes a good point. I hate it when he’s right”
The second reason being the land used to feed
animals could feed people instead.
“Oh shit, I hate it when he’s right”.
He recognizes vegetarianism as an important value
to some of his customers, taking methods of cooking meats and making them with
vegetables. A terrine is typically a meatloaf style casserole wrapped in
additional meat such as bacon
“I adapt the principle of the ancient craft of
Charcuterie and apply it to the modern American menu. In my mind, I’m honoring
the tradition, but I’m also thinking about the contemporary palate of my
customers. Yeah, I know it sucks. It’s an oxymoron. It’s like saying jumbo
shrimp… vegetable terrine”.
Co-author of Charcuterie:
The Craft of Salting, Smoking, and Curing, Michael Ruhlman, wrote about a
conversation he had with Polcyn about the beginning of his love for Charcuterie:
“My Polish Grandma, my fathers mother, made
Kielbasa every Christmas and Easter. Then my mom took over the job. We didn’t
have any money so everything we used and used well. We’d grind the meat and season
it. The next day we’d stuff it, tie it into big rings, hang the rings over a
broom handle on chairs, put the dog out, and set the kielbasa in front of the
fire overnight.
“But this romance with Charcuterie didn’t start
until my early twenties, when I went to work at the golden mushroom, outside
Detroit, for Milos Cihelka, a Czech immigrant, my mentor and one of Michigan’s
great Chefs. I’d been cooking for five or six years and thought I knew
something. But when I started grinding meat and smoking sausages for Chef
Milos, I realized how little I knew. I was also fascinated by the process. I
got to work early and left late. I took notes like crazy.”
Now Polcyn has an army of his own students learning
from him. Polcyn describes the culinary world of apprenticeship as a
responsibility to teach the next generation everything he knows.
“I expect my students to go out and teach the same,
just like I do”.
He pokes at his students, and they poke right back.
There’s a lot of sassiness in the classroom of Brian Polcyn, but mostly there’s
respect.
Even though Charcuterie is a required class for a
culinary degree at Schoolcraft, all of the students enjoy the class. “He makes
it so much fun” said student Joline, a middle aged DJ on the radio, looking to
do some catering work once she graduates.
Polcyn returned to teach at his Alma Mater after
writing his book, and opening and closing two restaurants, and opening a third
which is still owns: Forest Grill in Birmingham. His other restaurants include
Five Lakes Grill in Milford, MI, which he turned into Cinco Lagos, a Mexican
restaurant when Five Lakes was starting to fail. But he sees these opens and
closes as normal fluctuations in the restaurant business, that have all
amounted to his success
Not only has Polcyn become Nationally acclaimed in
one of the toughest professions, he has done it all in the state of Michigan,
independent of cities with established taste and demand for his skills. Though
he attempted to cut back on complexity of menu items in order to have more time
with his family, the demand in the restaurant grew to credentials that
ultimately had him written up in the New York Times, Atlantic Monthly,
nominated for a James Beard Award, Restaurant of the Year in Michigan,
showcasing his talent amidst his natural and feasible habitat: “I got
nationally recognized as a chef in that little community where I could raise my
family and just be open for dinner. I could go coach soccer practice at four o’clock
and be back at the restaurant for dinner service because it was only five
minutes away. I’m a very successful business man, very successful chef,
Nationally acclaimed, financially stable, I make a lot of money for being a
cook. That’s not bragging, that’s fact”.
Polcyn’s accomplishments are a testament to his
skill and acclaim he has built in the field, all while being a father.
Son Dylan attests that if his Dad had hauled the
kids out to New York or Chicago, he would be a star on the food network right
now. Why not? Because of the values that distinguished Polcyn from other chefs
and the sacrifices he has made throughout his life for his family.
“For me, being a chef and married to the same woman
for over 30 years, and raising five children, in this profession is more of a
challenge than cooking in Michigan because the business that I’ve chosen is
very demanding. What time of day do people eat dinner? Oh, in the evening… so
what time of day do I work normally? Oh, yeah… see, I work when everyone else
plays”.
Dylan is equally charismatic and vibrant, eager to
talk about his Dad: “Every Chef is divorced. I mean every chef. The fact that they’ve made it for so long is crazy.”
Dylan also recalled the absence of his father through the childhoods of his
older siblings father through his childhood than his two older siblings who had
a weekly ritual of watching Saturday Night Live and making grilled cheese at
midnight, because that was the only time he was home.
His co-author also wrote that this craziness is not
uncommon for a chef:
“It’s in the nature of the chef to accept with
cheerful willingness a workload that is completely impossible. It’s a matter of
pride and personal challenge, even taking on a third job when too full time
jobs are really already just a little too much. And a chef does this not
wineingly or with a sigh, but rather with a breezy immediate response: sure.”
Charlotte-
ReplyDeleteI love that he let you do honored activities with him for this piece. The addition of yourself in the piece is definetly crucial at the beginning, where you are experiencing things with him and becoming part of the class, but you let this fade near the end. Is their any way you could talk about what you did with Dylan or how that interaction was, as to not just pull your character out of the piece.
As for the lead, I think you could flip it a bit. I think the quote start is rough (although I'm trying to do it myself), but since it's just one word, could you introduce him and then say the next...almost like leading into the bulk of the piece?
A really wonderful job with the descriptive elements at the beginning, I' immediately thought "I need to go make mine sound like this...!" We gain a real sense (pun intended) of the place/ him.
Great job and good luck!